{"id":1008,"date":"2024-10-23T04:58:32","date_gmt":"2024-10-23T04:58:32","guid":{"rendered":"https:\/\/teatro-abyayala.org\/wp\/?page_id=1008"},"modified":"2024-11-12T00:33:20","modified_gmt":"2024-11-12T00:33:20","slug":"archivo","status":"publish","type":"page","link":"https:\/\/teatro-abyayala.org\/wp\/producciones\/archivo\/","title":{"rendered":"Archivo"},"content":{"rendered":"\n
\n\n
<\/div>Tarde, una canci\u00f3n vaquera (2022)<\/a>

\n\n\n
<\/div>La Bandada (2019)<\/a>

\n\n\n
<\/div>La Roda de Macbeth (2019)<\/a>

\n\n\n
<\/div>Las cosas como son (2018)<\/a>

\n\n\n
<\/div>La Ruta de su Evasi\u00f3n (2017)<\/a>

\n\n\n
<\/div>La Casa Limpia (2016)<\/a>

\n\n\n
<\/div>Quiz\u00e1 (2016)<\/a>

\n\n\n
<\/div>The Goodbye Project (2015)<\/a>

\n\n\n
<\/div>El Patio (2013)<\/a>

\n\n\n
<\/div>La Ruta de su Atra\u00e7\u00e3o (2013)<\/a>

\n\n\n
<\/div>Movimientos importantes de este a oeste (2012)<\/a>

\n\n\n
<\/div>Un d\u00eda Cualquiera, una \u00f3pera recurrente (2012)<\/a>

\n\n\n
<\/div>(Reality) (2011)<\/a>

\n\n\n
<\/div>Balagan (2011)<\/a>

\n\n\n
<\/div>Vacio (2010)<\/a>

\n\n\n
<\/div>El Mundo Cuenta (2009)<\/a>

\n\n\n
<\/div>FOLIE `A DEUX de Natacha y el Lobo (2009)<\/a>

\n\n\n
<\/div>M x M, robada de William Shakespeare (2009)<\/a>

\n\n\n
<\/div>Negra, o nocturnal de una piel inoculada por el odio nuestro de cada d\u00eda (2009)<\/a>

\n\n\n
<\/div>Renato hace y luego mira en 63′ (2009)<\/a>

\n\n\n
<\/div>El Proyecto Jesus (2008)<\/a>

\n\n\n
<\/div>\u00bfSexo? S\u00ed, gracias por preguntar (2007)<\/a>

\n\n\n
<\/div>La Casa de Asteri\u00f3n (2007)<\/a>

\n\n\n
<\/div>Cenizas, obras cortas de Samuel Beckett (2006)<\/a>

\n\n\n
<\/div>Yvonne (2004)<\/a>

\n\n\n
<\/div>Nos Esperamos (2002)<\/a>

\n\n\n
<\/div>Album de Familia (2001)<\/a>

\n\n\n
<\/div>Historia de un Soldado (2000)<\/a>

\n\n\n
<\/div>El Mundo de Max (1999)<\/a>

\n\n\n
<\/div>Sade (1999)<\/a>

\n\n\n
<\/div>Romeo and Julieta, In Concert (1997)<\/a>

\n\n\n
<\/div>Vestido de Novia (1996)<\/a>

\n\n\n
<\/div>La Chunga, una \u00f3pera moderna (1995)<\/a>

\n\n\n
<\/div>El Caso Otelo (1994)<\/a>

\n\n\n
<\/div>Romerillo en la Cabeza (1994)<\/a>

\n\n\n
<\/div>El Extasis (1993)<\/a>

\n\n\n
<\/div>Hamletmaschine (1993)<\/a>

\n\n\n
<\/div>Profec\u00eda (1992)<\/a>

\n\n\n
<\/div>El Memorandum (1991)<\/a>

\n\n\n
<\/div>En alta mar (1991)<\/a>

\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":929,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1008","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/pages\/1008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/comments?post=1008"}],"version-history":[{"count":8,"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/pages\/1008\/revisions"}],"predecessor-version":[{"id":1208,"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/pages\/1008\/revisions\/1208"}],"up":[{"embeddable":true,"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/pages\/929"}],"wp:attachment":[{"href":"https:\/\/teatro-abyayala.org\/wp\/wp-json\/wp\/v2\/media?parent=1008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}